Remaking

"Remaking"

THRILLER 2: STORIES YOU JUST CAN’T PUT DOWN

Edited by Clive Cussler
Published by Mira Books
Audiobook by Brilliance Audio
Publication Date: May 26, 2009
Hardcover ISBN #: 978-1-60648-015-1
Paperback ISBN #: 978-1-60648-016-8

When some of the top thriller writers in the world came together in THRILLER: STORIES TO KEEP YOU UP ALL NIGHT, they became a part of one of the most successful short story anthologies ever published. The highly anticipated THRILLER 2: STORIES YOU JUST CAN’T PUT DOWN, will be even bigger. From Jeffery Deaver’s tale of international terrorism to Lisa Jackson’s dysfunctional family in the California wine country to Ridley Pearson’s horrifying serial killer, this collection has something for everyone. Twenty-three bestselling and hot new authors in the genre have submitted original stories to make up this unforgettable blockbuster.

Turn off your phone
Shut down your computer
Say goodbye to your friends and family
Be prepared to read for days

Featuring stories by Kathleen Antrim, Gary Braver, Sean Chercover, Blake Crouch, Jeffery Deaver, Robert Ferrigno, Joe Hartlaub, David Hewson, Harry Hunsicker, Lisa Jackson, Joan Johnston, Jon Land, Lawrence Light, Tim Maleeny, Phillip Margolin, David J. Montgomery, Carla Neggers, Ridley Pearson, Marcus Sakey, Javier Sierra, Mariah Stewart, R.L. Stine, and Simon Wood.

About “Remaking”

“Remaking” was born in a coffee shop one afternoon. I was seated at a table toward the back, working at my laptop, when a conversation slipped into range. I looked up, saw a young boy of five or six sitting with a middle-aged man. I eavesdropped, and for some reason, something felt off. Like maybe that boy wasn’t supposed to be with that man. Was he kidnapped? A missing child? Then the boy called him “Dad” and a woman joined them. The familial vibe shone through, and that jolt of uncertainty passed. But the questions remained. What if the woman had not joined them? What if I still felt suspicious when the boy and the man got up to leave? Would I have followed them and tried to intervene? These thirty seconds of uncertainty were the origin of “Remaking,” although, as is often the case, when I began to write, I found the story held a few surprises for me, and that it wasn’t so simple or straightforward. But that was okay. In the end, those are the most fun to write.

Read the Opening of "Remaking."